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Processing story / Pelican Nebula - IC5070

Finding the Pelican in blue and gold

A gold-lit profile rises from flowing blue emission. More than 27 hours of narrowband exposure, separate work on nebula and stars, and a brighter portrait finish shaped this view of IC 5070.

Photography and processing by Michael Page

Portrait of the Pelican Nebula in mapped SHO colors, with a luminous gold profile, flowing blue emission, dark dust lanes and restrained stars.
Pelican Nebula - IC5070 · Final SHO portrait · Photoshop finish© Michael Page / StellarPix
Integrated narrowband exposure
27 h 05 min
Light frames
325
Per exposure
300 s
From capture to stars
6 stages

Let the gold profile emerge from the blue

The bright rim and narrow dark pillar were already visible in the first monochrome masters. The processing challenge was to give those structures presence without losing the surrounding emission or allowing the stars to take over. The finished portrait brings the Pelican upright, with warm edges against a broad blue field.

A darker stretch did not give the surrounding emission enough presence. An alternative stretch balanced the channels independently, then selective color work separated the warm rim from the cool gas. The final Photoshop pass lifted the image after the earlier version felt too dark.

See the difference

Two decisions, made visible

Let the stars return without taking over

The saved starless color-work master and the saved PixInsight composite show the same field before and after the recorded star-restoration stage.

Let the stars return without taking over: Stars restoredLet the stars return without taking over: Saved starless version

Drag the arrows on the image to compare. You can also use the arrow keys when the handle is selected.

Saved nonlinear Float32 XISF with embedded sRGB IEC61966-2.1; exported with repository exporter, zero samples outside [0,1]. Same 90-degree counterclockwise rotation and resize for both comparison images. No STF, added stretch, normalization or brightness matching. This compares complete saved versions; it does not isolate an individual color curve or prove every blend setting from pixels alone.

A brighter portrait finish

The saved PixInsight composite, rotated to the final orientation, compared with the accepted Photoshop PNG.

A brighter portrait finish: Final Photoshop portraitA brighter portrait finish: PixInsight composite

Drag the arrows on the image to compare. You can also use the arrow keys when the handle is selected.

Complete saved versions with identical field and web dimensions. The PixInsight export uses its embedded sRGB profile; the final PNG has no embedded profile and is treated as sRGB for web display. No brightness matching, extra stretch or synthetic intermediate. Differences include the complete Photoshop finish, not one isolated slider.

At the telescope

Camera
ZWO ASI2600MM
Hα filter
Antlia 4.5 nm
O III filter
Antlia 3 nm
S II filter
Antlia 3 nm
Exposure
300 s · bin 1 × 1
Final portrait
4015 × 5973 pixels
Processing
PixInsight and Adobe Photoshop
Exposure counts and integration times by filter
ChannelFramesExposure
Hα1109 h 10 min
O III1099 h 05 min
S II1068 h 50 min

325 retained exposures at 300 seconds each total 27 h 5 min. WBPP calibrated 328 frames and rejected three S II frames before registration. S II maps to red, Hα to green and O III to blue; these are mapped narrowband colors, including the stars.

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